Having collaborated with renowned bands such as Echo and the Bunnymen and The Proclaimers, and performed at legendary venues such as The Royal Albert Hall, musician and songwriter Erica Nockalls released her innovative album Dark Music From A Warm Place back in 2021, a partnership with Parisian studio producer/artist Jean-Charles Versari. Oozing a dark ethereal splendour throughout, and showcasing Nockalls’ soaring crystalline vocals, it’s a beautifully cinematic collection, brooding with a shimmering grace and immersive musicality. And, more recently, to celebrate her September tour dates with Echo and the Bunnymen, Nockalls shared her own unique rendition of Roxy Music’s ‘In Every Dream Home A Heartache’.
We think one of the best ways to get to know an artist is by asking what music inspires them. So, to celebrate the release of ‘In Every Dream Home A Heartache’, we caught up with Erica to ask about the music that has inspired her the most. Read about her five favourite songs and watch the video for her cover of ‘In Every Dream Home A Heartache’ below!
Imogen Heap – ‘Hide and Seek’
I discovered and listened to the shit out of this track in lockdown, somewhere in between sneaking to the studio to mix my own album Dark Music From A Warm Place under the cover of nightfall, and gleefully drinking cocktails for breakfast. Imogen has penned a masterpiece here, and I would very much love to work with her one day because of this song. Her still, honest vocals, layered, creating a vast and chillingly brutal landscape of desperation, sorrow and loss. Lyrics lines effected, ebb in and out, (“Spin me round” has a Leslie effect on it, for example, which I consider to be a production stroke of genius). I enjoy hearing the stacked close harmonies and complex cluster chords, probably (definitely) because I do the same. Such a brave stance to take these days – solely using vocals as your musical ingredients, climaxing into her accompanying herself rhythmically and harmonically without any additional instrumentation. I even believe you can hear a chink of glass bottles been taken out for recycling at one point, which made me think that this evolved from a home recording (or maybe even remnants of a demo) that was lovingly coaxed and manipulated into a thing of utter beauty, but maybe I’m reading too much into it. Best line of the song? “Crop circles in the carpet”… alluding to, in my mind, imagery of recently moved large furniture, because someone just left with their possessions. Heartbreaking, and exceptional.
Versari – ‘Brûle’
I had the honour of hearing the whole Sous la peau album by Versari, new and fresh from mastering, one warm (and admittedly decadent) evening, on the balcony of a Parisian hotel. I was instantly impressed. I was charmed by how one three piece can deliver such a thorough obliteration both sonically and viscerally; their sound took my breath away. Sung in French – at the time I didn’t understand the lyrics, but I almost didn’t need to – Jean-Charles’s vocal style is low, distinctive, seductive, and effortlessly and tastefully distressed. Now, even though I understand the lyrical content, I still feel the same when I hear this song, which led me to release a remix of it.
Devin Townsend Project – ‘Failure’
I paint a lot to the Transcendence album. I use it as a temporal yard stick – once the record has finished, it’s time to stop painting. Complex, agressive, powerful. A truth behind the personal complexities of performing. Most of us feel like a failure at times. Devin’s honest admissions here gave me the strength to consider continuing what I was doing, even if it scares the absolute shit out of you. I particularly like the drum work here delivered in this track by the epic force that is Ryan Van Poederooyen. His style is watertight yet dynamic, with a playful musicianship not often found in the metal world. Bravo.
Immaculate Fools – ‘Two to Tango’
Raymond is a special human to me. Half godfather-type-figure, half cool uncle, half mentor… (I’ve always been excellent at maths). I was in a testy place just before I moved to Spain to write my third album, ‘Dark Music From A Warm Place’ and, prior to getting my own place, I lived a short while with Ray. He would play guitar in his music room late into the night, and I would fall asleep in the next room listening to him, which was a much needed comfort to me. This track was one of the songs he was working on at the time, which in my humble (and correct) opinion is one of the greatest songs ever to have been written. It’s genius. I often think Ray’s music is a little like Bowie’s, in that they both have the ability to make music sound simple, and palatable, when it’s anything but.
Roxy Music – ‘In Every Dream Home A Heartache’
I remember my Mum driving me to youth orchestra rehearsals on many a friday night in her lovely old Saab. We’d sing along to the tape of For Your Pleasure, both laughing at our occasionally misheard lyrics. ‘Dream Home’ stood out to my juvenile brain. The emotional temperature of the lonesome lyrics spoke to me. Despite sounding so serious, Mum told me it was about a blow-up doll, and… on paper, that does sound like a joke, right? I was happily perplexed. And I liked the album artwork. I loved this song so much. Electing to cover and release it recently was one of my better ideas!
Massive thanks to Erica for sharing her Five Favourites with us! Watch the stirring video for her rendition of Roxy Music’s ‘In Every Dream Home A Heartache’ below:
Get In Her Ears 
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