Track Of The Day: The C33s – ‘Harpurhey Hostility’

Surf-rock doesn’t always need a beach. For Manchester three-piece, The C33s, the genre that grew out of the Californian coastline is perfectly suitable for their rattling takes on contemporary life. In latest single ‘Harpurhey Hostility’, turning their collective eye on the area of their home town named “the worst place in England” in a 2007 headline by the Manchester Evening News. Throwing the genre’s snappy guitar lines in with a blast of Anglo punk lyricism gives the band’s observations on deep-seated urban decay all the power it needs to be stuck in your head for weeks.

Dogs bark, a siren wails and a dirt bike engine revs – as introductions go, this one’s about as uncompromising as the song that follows. There’s no gentle lead-in for ‘Harpurhey Hostility’; it’s straight into the riffs, slamming into top gear, replete with a few quintessentially surf yelps courtesy of drummer Judy Jones, who takes lead vocals here.  There’s no verse-chorus-verse either: just twelve lines sung either side of an instrumental section. That being said, there’s an appeal to the sparseness of the lines – reflecting the setting of the song, and its video – and the mentions of local politician and Harpurhey councillor Patrick Karney and “wasps instead of worker bees” are a fond ribbing of Mancunian sensibilities. Pleasantly raw as it develops, the track reveals it owes as much to garage as it does to surf, with kicking bass and blamming drums that only lull slightly to allow for a trigger-finger lead guitar solo, before kicking back in for the song’s final twenty seconds. And, after the music echoes out, it closes out with a magnificent vocal snarl – what else?

The accompanying video opens with a quote from one-time Harpurhey resident, and literary explorer of society’s disenfranchised, Anthony Burgess: “It is as inhuman to be totally good as it is to be totally evil”. It’s a fitting choice – a defiant and seemingly contrarian statement about human nature under pressure, much like the track that follows it. The narrative of the video features three Harpurhey residents, and their activities, culminating in a lager and crisps-fuelled revel. That too, seems a conscious choice by the band (who cameo, offering a fag at a bus stop), almost as if to say that those three people could be them, or anyone, if born and raised in a hostile setting, living off their wits. Fortunately for us, Judy, Cav and Ste play music instead.

John McGovern
@etinsuburbiaego

WATCH: Maria-M – ‘Endtimes’

Having previously captivated us as front person of ambient alt-pop outfit Grawl!x at the last gig we put on at The Finsbury, Maria-M has now shared their first solo offering.

A song of hope during this uncertain period, ‘Endtimes’ flows with glitchy hooks and swirling atmospherics, creating a euphoric, cinematic soundscape, propelled by the captivating majesty of Maria’s soaring vocals. Oozing a twinkling musicality and effervescent charm along with uplifting ’80s-infused vibes, it’s a perfectly uplifting offering, tugging at the heartstrings with a poignant, stirring emotion.

‘Endtimes’ is accompanied by a beautifully hand-crafted video, reflecting on the feelings of isolation that come with lockdown, but with an overriding sense of hope and unity within the LGBTQ+ community. Depicting a transgender couple communicating whilst separated during the pandemic, it’s a heartfelt and moving visual accompaniment to the track.

Of the song and video, Maria expands:

“… it’s a song of hope, reminding myself mostly that though things can seem a little overwhelming these days, things are hopefully getting better (particularly for marginalised groups) & that while there are doomsdayers, the naysayers; there are also brave wonderful folks who are fighting to make people’s lives better… I decided it would be nice to convey this through a trans couple Yvonne & Chloe, who have been separated because of the pandemic but are there for each other with love & here’s hoping – I chose to use text-to-speech voices cos I thought it sounded cool!

Watch the video for ‘Endtimes’ here:

‘Endtimes’ is out now via Year Of Glad, a Derby based collective specialising in outsider music, art and writing. The track features a garage influenced remix by label mate Tom John Hall, and a stunning nine minute ambient B side, and all funds will be donated to the charity Derbyshire LGBT+. Download/buy on Bandcamp now.

Mari Lane
@marimindles

Photo Credit: Laura Mi

Track Of The Day: Aphty Khéa – ‘Pengvibe’

A captivating blend of glitchy beats and hypnotic synth samples, Aphty Khéa has shared her latest single ‘Pengvibe’. Released via her own label Midnite Kanni, the track is an energetic offering inspired by the producer’s activism.

Currently based in Kreuzberg in Berlin, Aphty Khéa is a half Greek, half British artist who combines sonic and visual elements to create her stimulating, exciting electronic music. ‘Pengvibe’ and its accompanying video are a shining example of this. Khéa’s fast-paced editing matches the vivid beats of the track, designed to empower listeners and spread good vibes – or “pengvibes” as she’s accurately dubbed them.

The single initially came to life in a refugee squat in Athens, and the visuals take fans on an intimate journey through the shared experiences of multiple individuals and intertwined friend groups, many of whom met at the squat. It offers a deeply personal perspective on “an ordinary life”, from London house parties and walks through Berlin, to Lahore markets and Kaohsiung dragon boat races.

Watch the nostalgic video for ‘Pengvibe’ below and follow Aphty Khéa on Facebook & Spotify for more updates.

Kate Crudgington
@KCBobCut

Track Of The Day: All Things Blue – ‘Dicking Around’

In a swanky, dream-punk manner, LA based All Things Blue create a lush and infatuating soundscape in their new atmospheric single ‘Dicking Around’.

Fusing together elements of alt-pop and experimental art-rock, All Things Blue curate a unique tone that reflects a mature essence with shades of Angel Olsen or Mitski. Front woman India Coombs chills this track with vocals that echo with mystery and fullness. This powerful inflection that India so precisely provides is a lovely juxtaposition against the song’s floating and spacious instrumental. There is as much grounding as there is soaring in ‘Dicking Around’, and that is what makes it so immersive.

“Where’s my mind?”, wonders the track. As listeners swirl with the psychedelic guitars and steady dampened percussion, this tune becomes the perfect backdrop for a roadtrip through the desert or a low-lit shindig. All Things Blue build their presence as ‘Dicking Around’ goes on – fluttering into a soundscape that celebrates transition and uncertainty, it’s an anthem for losing ourselves and being okay with it, a moment of giving ourselves a break from an ever spinning world. 

‘Dicking Around’ is out now, listen Spotify. And Get Bit, the debut album from All Things Blue, is out 23rd October.

Jillian Goyeau
@jillybxxn