Track Of The Day: SPIDER – ‘I’m Fine, I’m Good, I’m Perfect!’

A brooding, dark-pop tune that reflects on the grey area between feeling emotionally overwhelmed and totally apathetic, London-based, Irish born musician & producer SPIDER has shared her latest single ‘I’m Fine, I’m Good, I’m Perfect!’ Full of heady guitar distortion and raw, relatable lyrics, the track playfully embraces and dismisses life’s darker moments with its catchy chorus and smooth vocals.

Born and raised in Dublin, twenty-one year old SPIDER harnesses the strong feminine energy of the arachnid she’s named after as a totemic symbol through which she can explore her own emotional resilience. She struggled growing up as a young Nigerian girl in a predominately white country, but creating music provided her with an outlet for her most unfiltered thoughts. Now, with new single ‘I’m Fine, I’m Good, I’m Perfect!’ she continues this narrative of breaking down personal barriers to share her truth, and she does so with witty, provocative flair.

Following on from her debut single ‘Water Sign‘, SPIDER’s latest offering was created whilst she was quarantining in her South London flat during the height of the COVID-19 pandemic. Inspired by songwriters like Lorde, Conan Gray and Taylor Swift, SPIDER spins her own cohesive musical webs to catch her listeners off guard, distracting them with poppy melodies as she unravels her innermost thoughts.

Listen to ‘I’m Fine, I’m Good, I’m Perfect!’ below.

Follow SPIDER on SpotifyInstagramTwitter & Facebook

Kate Crudgington
@KCBobCut

LISTEN: Alex Jayne – ‘Hollywood’

Having already received acclaim from the likes of The Line Of Best Fit and Chris Hawkins on BBC 6Music, Alt-pop artist Alex Jayne’s latest release, ‘Hollywood‘, is a mesmerising treat. Conjuring euphoric vibes, it unravels the head as it leads us somewhere new. “It’s a song about the fantasies we hold onto and get hurt by” says Alex.

Alex’s simple striking lyrics glide against a limitless expanse of immaculate production. The controlled nature of Alex’s voice is calming and grounding. Her sometimes hopeful, sometimes wistful, repetitions of “Hollywood”, cleverly render even the word itself strange and undefinable. Mid-way through there’s a cutaway to Alex casually and candidly chatting. She utters, in her casual spoken voice: “… don’t talk to me about the future, I can feel it there waiting, y’know?” This charmingly ordinary split second is a beautiful plot twist in a song which is comfortably and successfully cinematic. 

After the two years we’ve had, this notion of striving for a chameleon like, omni-out-of-reach reality lands with just the right balance of promise and poignance. Whether the song summons thoughts of lost love or just that sense of your future living somewhere in the distance, this is an emotional track which speaks to the moment we’re living in with a welcome uniqueness. 

Tutku Barbaros
@tutkubarbaros

Photo Credit: Laurie Barraclough

EP: all cats are beautiful – ‘the things we made’

Released at the beginning of the month via Moshi Moshi, all cats are beautiful’s latest EP the things we made provides a heartfelt, off-kilter take on pop in the twenty first century with a beautifully developed sense of melody and texture. Where more self-conscious artists might have slipped into irony or even parody when playing with genre in the way this record does, the honesty and vulnerability of the lyrics instead steer it down a far more rewarding path; one that combines the hooks and emotional kick of the best pop with a willingness to experiment, keeping the listener guessing.

The band consists of “queer best friends” Elena and Kyle and this seven track release has a truly collaborative feel to it. Both are credited with playing multiple instruments and switch vocal duties throughout, while the way that the songs have been pieced together – often relatively sparse arrangements which sound nonetheless full of feeling – seems, somehow, reflective of the process of sending and receiving musical ideas across the internet during lockdown. The opening track of the EP – ‘(u know) u mean a long minute 2 me’, in which the lyrics apparently came from Kyle mishearing a line of dialogue in Netflix docu-series Tiger King, a fact that in itself makes the early-lockdown writing period extremely clear – was also the EP’s lead single. It sets the scene for what follows beautifully: a long, soft, introduction to the record which finally kicks into gear with the introduction of drums about two and a half minutes in, shifting from atmospheric pop to a shimmering lowkey take on disco.

If you’ve ever wondered (and I’m not sure why you would) what it would sound like if The XX tried their talented hands at making early 2000s slow jams, it might not sound a million miles away from ‘u c right thru me like a windowpane’. Certainly the atmospherics and soft vocal delivery which The XX made their trademark is evident here, but ACAB have far greater warmth in their lyrics and have more fully embraced pop sensibilities. So, in fact, a comparison to XX solo project Romy is probably more apt. The band themselves credit Owen Pallett’s ‘I Am Not Afraid’ as an inspiration for this track and the connection extends beyond a lyrical reference – both treat genre with the same flexibility while remaining refreshingly earnest. Julia Holter is another useful melodic reference point for the EP as a whole.

Other highlights include the rolling melodies of ‘skippin down the stairs like a slinky’ and the Blood Orange-esque ‘i get dayblindness when ur nearby’ which skitters along, built around a chorus to make connoisseurs of 2010s R’n’B swoon. Meanwhile, EP-closer ‘tryna b the 1 2 solve ur shape’ is the kind of ambient-inspired pop which wouldn’t have sounded out of place on Frank Ocean’s Blonde

There has clearly been a great deal of care taken in the construction of these songs – in their lyrics, their melodies, their arrangements and their recording and engineering. As a result, there isn’t a loose moment across the seven tracks; not a wasted or superfluous second, just twenty two and a half minutes of wonderfully imperfect pop.

the things we made, the new EP from all cats are beautiful, is out now via Moshi Moshi Records. Listen/download here.

Gregory Metcalfe
@GregorysParty

Photo Credit: Aaron Price

LISTEN: GIHE on Soho Radio with BLAB 25.08.21

Tash & Kate were back on Soho Radio‘s airwaves playing a mix of golden oldies – including an iconic 90s rager from Alanis Morissette – and new music tunes from some of their favourite women, non-binary and LGBTQ+ artists.

Southend-based musician BLAB aka Frances Murray also joined them to talk about the release of her new single ‘Insurance’ on Cool Thing Records, what it’s like recording in the studio with Sam Duckworth (Get Cape. Wear Cape. Fly), being inspired by Bikini Kill/The Punk Singer & re-defining what it means to be an Essex Girl.

Listen back below:

 

Tracklist
Alanis Morissette – You Oughta Know
Little Annie – I think of you
Lion Babe – Frida Kahlo
Beorma – Her
ARXX – Not Alone But Not With You
Serena Isioma – Really, Really
Emma Bradley – I’ll Be Outside
Mumble Tide – Good 4 Me
Bleach Lab – Real Thing
BABii – Shadow
Anna Prior – Thank You For Nothing
Flossing – Switch
Moor Mother ft. lojii – Shekere
BEBELUNA – Drunk
Nilufer Yanya – Day 7.05093 (keiyaa Remix)
BLAB – Insurance
**BLAB interview**
Jaz Beeson – Coffee Machine Sounds
Grandmas House – Golden
John Glacier – Icing
DROWND – Sinner (KANGA remix)
Meggie Brown – Dusty Smells
Joon – Just Can’t Get Enough
Yay Maria ft. Franx – Template
Tinashe ft. Ms Banks – Die A Little Bit
Olivia Dean – Slowly
Lizzo ft. Cardi B – Rumors