New Track: ĠENN – ‘A Reprise (That Girl)’

‘A Reprise (That Girl)‘, the latest single from Anglo-Maltese quartet ĠENN, is deeply introspective; cleverly constructed to offer provocative commentary. While it has plenty of its own comments to make, it wants you to go on your own journey with the lyrics and the atmosphere generated by the music – it wants you to take the moment you spend with it and reflect on your own experiences of the world.

The track begins with a throbbing techno-infused bass line, accompanied by a repetitive, catchy drum beat that buries its way into your ear and refuses to leave. The two combine to create the sensation of a funky futuristic production line. The sound is hypnotic and dystopian and addictive; easy to picture glazed-eyed, blank-faced automatons moving to it. Of the track, ĠENN say that it’s designed to reflect “technological gratification”, and this comes through loud and clear in just the opening bars. The instinct to lurch towards technology after just a moment left alone with your own thoughts lurks there in the motions of the beat.

The vocals are delivered deadpan and low, subtle yet dangerous. They have the tension of an elastic band about to snap, of a predator preparing to leap. The lyrics are comprised of moments that create a complete picture of existence, from the perspective of someone floating through the day but not quite engaged with it. They capture feelings, the essence of an experience, more than explicitly describing a day in a life. It leaves you free to project on them whatever in your life inspires that sense of malnutrition, catharsis, futility, nature’s sedative.

The mood shifts from soft-spoken, passive apathy to revolutionary rage as the track ramps up into its climactic moments. It gives the song a sense of hope, if only people could throw off the shackles of repetitive oppression and work to rebuild the world in a more exciting way. It launches the song into its final, powerful declaration – “Death upon the mundane/Death upon the many” – creating an immense empowering anthem, oozing a fierce impassioned drive.

Mixed by Tom Hill and mastered by Katie Tavini, ‘A Reprise (That Girl)’ is out now via Liminal Collective. Catch ĠENN live at The Great Escape on 11th May at The Brunswick for Off Axis / Miro Co-labs stage.

Kirstie Summers
@ActuallyKurt

Photo Credit: Jordan Core

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WATCH: Marlody – ‘Runaway’

Marlody is a singer-songwriter from Kent signed to Skep Wax Records. Her acclaimed debut album I’m Not Sure At All came out last month, and ‘Runaway’ is the third single off the record; a delicate and enchanting song that will leave you wanting more. 

‘Runaway’ opens with warm organ keys flowing; the soothing allure drew me in immediately. Marlody’s clear and present vocals come in next, taking centre stage and demonstrating this is a no-frills, lyric and vocal-driven song. Marlody’s voice is beautifully soulful, you can hear the feelings ejected into the lyrics, poignantly reflecting on “being on the brink of oblivion: contemplating the beauty of nothingness but stepping back just in time”. The stirring words convey a sense of regret and longing, giving the song a melancholic feel tinged with a glimmer of hope. 

Although ‘Runaway’ remains pretty stripped-back in instrumentation and production, the vocal production captures every detail which makes you feel more connected to the words, immersed in its raw emotion. Some very subtle drums enter later on and satisfying vocal overlaps and harmonies give the track another moment of satisfying interest. It’s refreshing to hear a track that isn’t overloaded with sounds and noises, and allows the vocal to take precedence. 

Accompanying the song is a music video which shows a blurred figure from behind, walking through different pastoral scenes; a stunningly atmospheric visual which perfectly conveys the overall feel of the lyrics. Watch it now:

To hear this captivating voice is person, Marlody has upcoming gigs over summer in London and Kent including a date at London’s prestigious Bush Hall on the 20th May. Grab a ticket and check out the rest of her album, I know I will.

I’m Not Sure At All, the new album from Marlody, is out now via Skep Wax Records.

Ella Patenall
@ellapatenall

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WATCH: HMS Morris – ‘Family Souls

‘Family Souls’ – the latest single by the Welsh art-rock band HMS Morris – is as fun and surreal as the band’s name suggests. A joyful collage of a song, it brings together elements of soul, funk and indie to create a bouncy pop banger that’s both experimental and perfectly polished.  

Reminiscent of Tuneyards, ‘Family Souls’ quickly wedges its way into your brain, as front person Heledd Watkins unleashes the song’s infectious, angular hook. When she dreamily utters “yeah, yeah, yeah, yeah” it blends jerky instrumentation with sweet pop harmonies like a wonky ’60s girl group. 

At the heart of the song is a creative conundrum. The lyrics explore why Watkins finds it hard to perform in front of her family or, as the band put it: “the dissonance between Heledd’s roles as a dutiful west-Walian daughter on one hand, and as a badass creative force to be reckoned with on the other.” As the front person of a band with such vibrant eccentricity, it’s hardly surprising that Watkins wrestles with this. But I hope she resolves it soon; if this song and the incredible video are anything to go by, her family are missing out on an incredible performer! 

Created by Trigger Happy Creative, watch the new video below:

‘Family Souls’ is out now via Bubblewrap Records.

Vic Conway
@thepicsofvic

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LISTEN: jellyskin – ‘Bringer Of Brine’

A heady rush of thumping beats, smooth vocals and dense synth textures, jellyskin have shared their latest single ‘Bringer Of Brine’. Taken from their upcoming debut album In Brine, which is set for release on 9th June via Wrong Speed Records, The Leeds-based duo combine their eccentric ideas with throbbing percussion and commanding electronics to create their techno-inspired, industrial sounds.

Formed of Will Ainsley and Zia Larty-Healy, jellyskin have spent the past four years meticulously writing and recording their debut record between Leeds, Liverpool, Bristol, Palamos and Berlin. The pair invited Berlin-based producer Lewis D-t to co-produce, mix and master In Brine, and to “finesse the tracks into fat-free hunks of ecstasy and sonic exploration”. The result of this collaboration is a record that brims with a palpable sense of urgency and euphoria, with narrative themes that range from intense longing and desire, to misadventure by the sea and aquatic apparitions.

jellyskin somehow combine all of these elements on their latest single, ‘Bringer Of Brine’. Accompanied by a music video, shot and directed by Misha Warren, jellyskin star in the nautical themed visuals, which compliment the themes they explore on In Brine. Following high-profile UK festival slots and shows alongside luminaries, The Brian Jonestown Massacre, Warmduscher, Sea Power, Moonlandingz and The KVB, and with their debut album on the horizon, 2023 looks set to be an exciting year for jellyskin.

Watch the video for ‘Bringer Of Brine’ below.

jellyskin’s upcoming debut album In Brine is available for pre-order from 5th May via bandcamp

Follow jellyskin on bandcamp, Spotify, Twitter, Instagram & Facebook

Photo Credit: Misha Warren

Kate Crudgington
@KCBobCut

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