Five Favourites: Oh Baby

Having charmed our ears with the slick sounds of their last single ‘Cruel Intention’, London-Manchester duo Oh Baby are set to release their new album Hey Genius later this month.

Consisting of Jen Devereux and Rick Hornby, the duo have now shared another taster of the forthcoming album. ‘L.I.A.R‘ flows with a swirling, euphoric haze as Devereux’s rich, sultry vocals are accompanied by a majestic, ’80s-inspired glitchy drive. An utterly captivating, truly blissful, summer anthem leaving us eager to hear the album in full.

We think one of the best ways to get to know an artist is by asking what music inspired them to write in the first place. So, to mark the release of Hey Genius later this month, we caught up with Jen to ask about her “Five Favourites” – five songs that have shaped her as a musician. Check out her choices below and scroll down to listen to new single ‘L.I.A.R’.

Philip Oakley & Giorgio Moroder – ‘Together In Electric Dreams’
As far back as I can remember I have had a major thing for this song and it still has the same effect on me now when listening to it that it did the first time I heard its muffled tone playing through my bedroom wall from the next door room. It made my world stop for a second. It’s melancholic but euphoric and romantic all at once, a combination I still find fascinating. Right from the first notes of the intro, I swear my heart beats a little faster wherever I am. The rising chord progression is totally addictive. The other worldly “together in electric dreams” lyric captivated me, whilst the melody underneath was lifting, the sentiment was lost lovers and missed nights together – this juxtaposition turned something on in me which has never turned off. The classic fade out where the vocal continues makes you feel like you’re being dragged away from the party early, doing its job brilliantly. For me it’s been an unfaltering musical constant, showing that perfection can exist in its own way, and this for me, is it. I guess this was my first introduction to Phil Oakey, Giorgio Moroder and electronic music in general, little did I know how important the tiny markers this song would leave on me would be. 

Cole Porter – ‘You’re The Top’
I got taken to musicals in London when I was young and I found the excitement of being inside a theatre pretty intoxicating. I suppose that, coupled with seeing the cliched ‘big city lights’ in sharp contrast to the endless grey North I mostly experienced growing up, made it all the more attractive. The smell of it, the sounds, the stage, the orchestra pit, the hum of a settling audience, the lights through darkness, I loved it. It was three hours of escapism and like a shot of liquid gold. Granted, the music written for musicals is pretty far removed from the stuff Rick and I are writing now but Cole Porter especially has a mesmerising way with words and how he marries them together – it’s a pure joy to listen to. I’m not ashamed to say I still know every word from this musical Anything Goes, but this particular song stands out. It’s totally relentless; it illustrated to me rhythm, rhyme and humour, also the art of the call and answer, how the opposites, the dark and light, are all so important in good music. He’s a clever sod. 

Madonna – ‘Borderline’
So this track evokes the smell of hot tarmac pavements and roadworks, petrol fumes, long hot summers when the back door seemed to be constantly open – carefree hanging around, freshly mown grass, back to back houses on endless streets, but most importantly being in love with a particular older girl on the street who just so happened to be obsessed with Madonna. ‘Borderline’ naturally became my soundtrack to all of the above. Her young American voice sounded so exotic, cutting into my life like a bolt of lightning. It woke me up to what I wanted on many levels; back then I had no way of knowing how I could get it, but knowing you actually do want something is a bloody good start. The sound of that bass line coupled with her high vocal riding over was so alluring and so sexy. I had no clue what it was all about but as a result of that feeling it gave me, I was and still remain totally hooked. 

Kate Bush – ‘Running Up That Hill’  
A huge amount of what intrigues me and makes me feel something, also scares me. Strong women, whilst being totally inspiring, also scared me half to death, and Kate Bush was no exception. Watching her red lips and masses of dark hair and her untouchable womanly persona – the strangeness of this music video too – I found it wonderfully terrifying. I liken it to sitting through a horror film with your eyes closed and fingers in your ears, you don’t want to see or hear it but you can’t switch it off as there’s a part of the whole experience that is totally thrilling. This track is the one that is just too damn good. I’m not a massive fan of the over used label ‘genius’, but I think this track certainly warrants the word to be close by. As soon as I hear the first beat it’s slightly overwhelming to be honest. The drums, that lyric, those sounds she’s recorded using a bloody Fairlight. Oh bugger it, it’s genius. Now, she really is a clever sod. 

The Police – ‘Every Little Thing She Does Is Magic’
My older brother had a house party – I’m seven years younger, so this for me was brilliant. For a lot of his friends it was their first proper party they’d have been to with girls and boys and music and stolen alcohol, so that electric young teenage excitement was palpable. I felt and heard it all through the floorboards of my bedroom and I totally soaked it up. They played The Police Greatest Hits – loud. I didn’t sleep, I just listened – I can’t have been more than 7 or 8 years old. I asked some of the older kids about the music they’d been playing the next morning and that was my introduction to one of the greatest bands I know. This particular song is just wonderful. Only three people, making that sound, the way he sings over that fade out outro with yet another melody – “it’s a big enough umbrella but it’s always me that ends up getting wet” – what can I say. The way Copeland smacks the living daylights out of that snare, the weird piano, I mean come on. Let’s hope even a tiny amount of greatness from this possibly seeps into what we do as Oh Baby, ‘cos put this on and I. Will. Dance.

Massive thanks to Jen from Oh Baby for sharing her Five Favourites! Upcoming album Hey Genius is set for release on 23rd July via Burning Witches Records. Pre-order here and listen to new single ‘L.I.A.R’ below:

You can also catch Oh Baby live at The Lexington to celebrate their album release on 23rd July. Tickets here.

Photo Credit: Karen Hornby

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mariangelicalane

Managing Editor/Co-Founder

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