Following last year’s raucous extended play, Live Sessions from Big Smith Studios, Berries have further embraced their influences – pulling from the indie pop melodies of Wolf Alice, the scuzzy distortion of The Breeders, and the raw punk rock power of Sleater-Kinney – releasing the anthemic ‘Wall of Noise‘; a frenetic track that thematically explores the unwanted static that so many of us find interfering with our own thoughts.
These feelings of insecurity and isolation are tackled by the London-based trio – Holly Carter on guitar/lead vocals, Lauren Cooper on bass/backing vocals, and Lucie Hartmann on drums/backing vocals – with lyrical angst and meticulous, yet raw instrumentation; an honest introspection into mental health with propulsive basslines, angular guitar riffs, infectious drum grooves, and a vocal twang. “The wall of noise / Threatens to leak all the things we don’t see / Distorted voice / Blink and it’s gone but for now it lives on.”
In the music video, the band are confronted with repetition – an endless amount of stairs – representing common obstacles that Holly, Lauren, and Lucie approach differently each time, by either “running straight at them, cautiously, following others, courageously or alone”.
Berries promise that their forthcoming debut LP will explore mental health extensively, based on personal experience. If the record is anything like ‘Wall of Noise’, we can expect a confident combination of riff-driven melodies, layered noise-rock and a “fuck you” punk rock attitude.
Recorded and mixed at Big Smith Studio, the debut album from Berries is set to be released this Summer through Xtra Mile Recordings.
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