We’re no strangers to the dark, heated sounds of electronic two piece, Boy Harsher. Together, Augustus Muller (synths/percussion) and Jae Matthews (vocals) have released two albums and two EPs since their inception in 2014. Their songs brim with beats designed to ricochet around smoky dance-floors or lonely bedroom walls. The Massachusetts duo blend nostalgic 80s percussion with sharp modern production to create an immersive, magnetic listening experience.
We think one of the best ways to get to know a band is by asking what music inspired them to write in the first place. We caught up with Jae to ask her about her “Five Favourites” – five albums that have influenced her song writing techniques. Check out her choices below, and scroll down to watch Boy Harsher’s video for ‘Send Me a Vision’ at the end of this post.
1. Annie Lennox – MEDUSA
When I was a child, during a rocky divorce, my mom would listen to this album nonstop. Luckily, I was at the age where it wasn’t lame to sing along with your mom, and boy, did we get into it! On a subconscious level, these songs (Annie Lennox in general) gave me this attachment to a contralto voice in contemporary music. DIVA and MEDUSA both got equal play, but my story with MEDUSA is a bit embarrassing. I didn’t realize the songs were all covers, so when years later I heard the originals (like Bob Marley’s ‘Waiting in Vain’ or Al Green’s ‘Take Me to the River’) I was a bit shocked.
2. Nirvana – Nevermind
A classic. I made my dad buy this CD at a garage sale, which he did – yet later took away, due to “it’s graphic nature”. A stubborn child, I found it and hid away with my new love and Walkman. ‘Something in the Way’ really rocked my core. I was a lonely pre-teenager and I remember this music kept me company in a very real way. Now, I can’t listen without getting very nostalgic.
3. Pixies – Doolittle
Okay – this one is tough. It’s a tie between this and Cat Power’s Moon Pix. Both took up the same space in high school. I would listen to ‘Debaser’, literally SCREAMING along with my first crush. Then, later when home, would listen to ‘Metal Heart’ (lol) and cry, because she would never love me. Ah, the drama. I needed a support system for understanding my sexuality and processing my Father’s death. Both albums are amazing in their ability to muster emotion; sometimes flippant or mean, often raw and always very authentic.
4. Troller – Troller
I left the Northeast for graduate school and moved South. It was the furthest I had ever been from my family. It was a really amazing, lonely time. After attending SXSW in 2013, my musical understanding totally changed. I became a devotee of label Holodeck’s projects (Thousand Foot Whale Claw, Survive, Boan, Smokey Emery) and Troller. This is the first physical RECORD that I ever bought. Listened to it over and over – it still makes me think of Savannah, the rain, smoking inside, kissing.
5. Circuit Des Yeux – Overdue
After living in Savannah for a couple years, myself and my partner starting booking shows. We focused mainly on projects that centered on experimentation, some noise, and no drums. We booked Circuit Des Yeux on their first US tour in a small dive bar in downtown Savannah. Far too few people came. It was such an amazing performance. The way Haley used her voice was really inspiring to me – startling even. I began to understand the voice and body as an instrument, a performance tool. This really impacted the way that I sought to use my voice.
Photo Credit: Zach Hart