GIHE: Tracks Of 2025

With another hard-going year behind us, we’ve continued to seek comfort in new music released by our favourite hard-working and talented artists. There’s been an immense amount of incredible new music released, so we want to shed some light on some of the tunes that got us through the hard times, accompanied the good times & generally saw us through 2025.

To start our annual end of year round-ups, we’re sharing our ‘Tracks Of 2025’ ahead of features on our favourite albums, ‘Highlights’ and ‘Ones To Watch 2026’… Have a read about some of the tunes we’ve been loving the most, and make sure you hit play on the accompanying Tidal playlist to hear just how fantastic they all are! Then, please do follow the artists you love on all platforms – download their music, buy their merch, go see them live and continue to spread the word about how wonderful they are! (A little caveat that if we had lots more time, we’d include many more songs on this list… If you’re a band we love and not included here, you’re still fantastic and we have so much admiration for you creating wonderful music to keep us going!)

The Baby Seals – ‘Tamoo Trance’
Having been super mega fans of Cambridgeshire feminist punks The Baby Seals since they first played live for us back in 2017, and having recently had them back to play at our joyous 10th birthday celebrations, we were very excited to have new music from them in the latter part of this year. A fierce take-down of consumer capitalism, combining the band’s trademark playful tongue-in-cheek wit with a gritty raging energy, ‘Tamoo Trance’ offers a seething anthem about getting stuck in a trance-like state in an (obviously completely fictitious) online shop. So, throughout 2026, instead of spending money on stuff that “will go directly in the bin”, perhaps consider supporting your fave DIY artists on bandcamp, or going along to a nice local gig. Rumour has it that The Baby Seals have a new album coming next year… We can’t wait!
(Mari Lane – Managing Editor)

Whitelands – ‘Glance’
London-based shoegaze band Whitelands are firm favourites here at GIHE, and the release of this track ‘Glance’ has only cemented that further. Lifted from their upcoming second album, Sunlight Echoes, due on 30th January 2026 via Sonic Cathedral, ‘Glance’ shimmers with the band’s trademark sensitivity, whilst simultaneously showcasing a lusher dream-pop influence on their songwriting. Vocalist and guitarist Etienne penned this track after moving through a period of both heartbreak and writer’s block. These frustrations and elations are mirrored in the romantic lyrics and the band’s blissful, captivating melodies.
(Kate Crudgington – Features Editor)

Sister Ghost – ‘Drain You’
Sister Ghost’s ‘Drain You’ leans hard into a ’90s grunge sound, channelling the spirit of Garbage and Hole with a gritty, playful edge. The video, shot dancing around Joshua Tree, worlds away from the band’s native Derry, adds to its sense of freedom. It’s driven by a big, instantly catchy chorus, wrapped in a thick wall of sound that hits with Shannon’s confident vocals.
(Ella Patenall – Contributor)

HAVVK – ‘Happening Again’
Having played our first ever GIHE gig back in 2016, we’ve been such huge fans of Irish duo HAVVK ever since and I was so excited to have them back in our ears with this swirling single. A gritty and cathartic reflection on destructive patterns of behaviour, ‘Happening Again’ showcases the band’s ability to combine a fierce seething energy with the soaring, captivating allure of Julie’s raw vocals. I can’t wait to hear more new music from them very soon.
(ML)

PostLast – ‘Scavenge’ (Birthday Problem remix)
Irish indie label VETA Records have provided me with some of my favourite new music this year, including this superb collaboration from alt-pop duo Post Last and electronic duo Birthday Problem. I’ve been following both bands for a while, so I was thrilled to see them working together here on this eclectic remix. Soft vocals and intriguing electronic textures combine to make this version of ‘Scavenge’ a real sonic gem.
(KC)

Jouska – ‘Season Of Dread’
Taken from her album, How Did I Wind Up Here?, which she released in October, Norwegian artist Jouska has a talent for transforming feelings of vulnerability into graceful musical ruminations. ‘Season Of Dread’ was inspired by a time when she felt like she was “stuck inside a winter that wouldn’t end – both emotionally and physically.” I always admire artists who are able to work through heavy emotions in their music and I feel like Jouska manages that adroitly here.
(KC)

Dogviolet – ‘Dandelion’ 
The first of two singles released this year by ones to watch, and long time faves, Dogviolet, ‘Dandelion’ offers an empowering ode to resilience and resistance, to the power of community – likening people to the flower, under-valued but vital to the ecosystem. I just love the understated power of the repeated refrain “to exist is to resist”, and feel like this song perfectly encapsulates the captivating, gritty grunge-fuelled power of the band. I’ve loved the band a lot since they played their first ever gig for us a few years back, and was super happy that they were able to be a part of our 10th birthday celebrations in September. I’m really excited about what they have in store for us next year…!
(ML)

The Dead Zoo – ‘Bruise’
Having released their debut album back in July, and wowing us all with their fiercely joyous energy headlining a packed out launch show at New River Studios back in June, this year has been a big one for long-term faves The Dead Zoo. With the album’s release, they showcased their ability to create immersive, brooding soundscapes, reflecting on both the pain and triumph of transformation. Combining swirling atmospherics with ’80s-inspired dark basslines, and with the gritty power of front woman Kaoru Sato’s vocals resonating throughout, ‘Bruise’ offers a pulsating, multi-layered soundscape that will captivate the senses on first listen.
(ML)

BACKXWASH – ‘Wake Up’
I love the raw power behind this shape-shifting offering from Zambian-Canadian rapper and producer BACKXWASH. ‘Wake Up’ is taken from her album, Only Dust Remains, which she released via her own label Ugly Hag (great name!) in March. ‘Wake Up’ permeated my consciousness, thanks to its direct lyricism and BACKWASH’s uncompromising vocal delivery.
(KC)

After London – ‘Alive’
The track opens with an urgent, ravey synth line before dropping into pounding drums that drive it forward. Punchy spoken-word vocals ooze attitude, keeping the verses sparse and tense. When fat, fuzzy guitars hit, the energy lifts again. Sharp wordplay ties together spoken word, rave textures and a badass punk attitude.
(EP)

Tiiva – ‘you and i’
‘you and i’ is the title track from electronic artist & producer Tiiva’s debut album, which they released via Moth Day Records in June this year. It deftly showcases Tiiva’s talent for blending euphoric pulsing beats with their soft vocals and ambient electronics to create a listening experience that’s joyful and all-encompassing.
(KC)

Jessie Mac – ‘Trans Is Beautiful’
A powerful and incredibly catchy “sonic statement” from South East London trans DJ, producer and label owner Jessie Mac here. By sampling the words of American actress & LGBTQ activist Laverne Cox and combining them with her own shape-shifting club-inspired beats, Jessie has created an LGBTQIA anthem that is equal parts poignant, political and playful. She’s a firm new favourite here at GIHE and we’re looking forward to hearing more from her in the future.
(KC)

Beauty Sleep – ‘Radical Happiness’
Having signed to Alcopop! Records for their second album The Whole Damn Cake back in October, Derry faves Beauty Sleep came over to London to celebrate its release last month, and we were lucky enough to have them headline for us at The Cavendish Arms. It was such a joyous night oozing all the colourful, queer energy we so need right now (and some very tasty actual vegan cake!); it felt really special to have them here with us, and with support from Dream Phone and Lein Sangster. Fizzing with a glitchy energy and swirling uplifting emotion, album “theme song” ‘Radical Happiness’ offers a twinkling, empowering ode to self care and embracing doing things that bring you joy. 
(ML)

Sacred Paws – ‘Turn Me Down’
After a five year hiatus, the return of Scottish duo Ray and Eidlih – aka Sacred Paws – this year was a big highlight for me. Taken from the latest album, Jump Into Life, ‘Turn Me Down’  reflects on the rawness of rejection; juxtaposing this poignant sentiment with the duo’s trademark jangly energy and colourful musicality. Ray Aggs from the band was actually due to play our 10th Birthday all-dayer in September, but sadly couldn’t make it due to illness, so we really hope to see them back in London again sometime in 2026 – their gig for us at The Shacklewell Arms last year was one of the most joyous and fun! 
(ML)

Cheerbleederz – ‘I deserved better’
With the release of their gorgeous EP (prove me wrong) via Alcopop! Recordsin September, indie-pop supergroup and long-time faves cheerbleederz have continued to cement themselves as one of my most favourite bands. An uplifting ode to knowing your self-worth, ‘i deserved better’ offers all the sparkling, jangly melodies and scuzzy emotion you could ever need, plus a perfect singalong chorus – as Kathryn from the band says, “The chorus doesn’t even have any real words, but sometimes you don’t need em!”.
(ML)

Gay Skeleton Club – ‘Summertime (Free Palestine)’
We’ve made no secret of our love of Gay Skeleton Club since they formed at First Timers Fest a couple of years ago, and we feel super lucky to have had them play live for us numerous times – each time bringing such a cute queer joy, and unifying sparkling charm. Following wonderfully catchy singles like ‘2 cats’ and ‘w3t l3g’, the release of ‘Summertime (Free Palestine)’ this year showcased how the band have honed and developed their sound into something fuller both musically and lyrically, whilst still maintaining their playful witty charm that we’ve come to know and love so much. I’m really looking forward to seeing what Gay Skeleton Club have coming up in 2026!
(ML)

Tamara & The Dreams – ‘Successful Bisexual’
When I received an email back in March about a track called ‘Successful Bisexual’, I had to open it immediately… It’s an energy I’m forever trying to channel, and this single from Australian artist Tamara & The Dreams offers a perfectly heartfelt ode to self-discovery and embracing who you truly are as you get older. I was lucky enough to catch her when she was over in the UK back in the summer, and their lilting jangly energy and catchy uplifting charm was everything I needed and affirmed her place as one of my favourite artists of the last year. 
(ML)

nazire – ‘junebug’
A woozy guitar tune from Istanbul-based shoegaze artist nazire here. I was immediately hooked on her lullaby-like vocals and all-encompassing use of reverb on ‘junebug’. She’s currently working on her debut album, Glitchfolk, which she will release at some point in the near future. I will be keeping my eyes and ears peeled for that.
(KC)

Better Joy – ‘steamroller’
Taken from October’s EP, dusk, ‘steamroller’ offers a defiant anthem about reclaiming strength in the face of loss from Manchester-based Bria Keely, aka Better Joy. Whirring with fuzzy hooks as Keely’s sugar-sweet vocals flow with a sparkling emotion, it’s an instant, completely dreamy, earworm and has been one of my most-listened to tracks of the last year. 
(ML)

Marina Yozora – ‘Touché’
Described as a “love letter” to her friends and fans, ‘Touché’ is a gorgeous offering from Japanese-born, London-based songwriter Marina Yozora. It’s a tender dream-pop tune full of her delicate vocals, emotive lyrics and atmospheric guitar tones.
(KC)

Ailsa Tully – ‘Self Soothing’
The first taste of her upcoming debut album, ‘Self Soothing’ marked a welcome return for Welsh artist and GIHE fave Ailsa Tully earlier this year. Offering a vulnerable sentimentality, a delicate musicality glistens as Tully’s distinctive crystalline vocals flow seamlessly. With its added immersive synth-driven layers and subtle sense of angst that ripples under its surface, a gritty edge is added to this innovative artist’s trademark heartfelt splendour.
(ML)

False Idah – ‘Gaslight’
Having been big fans of the sultry beats and genre-defying heartfelt offerings of London-based songwriter and producer Jay Brown, under her previous guise as Amaroun, we’re now excited to hear that she’s back with a new project. False Idah takes all that we loved about Amaroun, but develops it into something more as Brown immerses herself in the vulnerability of stripped-back songwriting and the inspiration that can come with the freedom to express yourself in a true and honest way. I was lucky enough to catch an intimate live performance at Servant Jazz Quarters back in September, ahead of the release of this beautifully raw new single and an upcoming album next year. 
(ML)

Amulets ft. Midwife – ‘Lifelike’
This is a really beautiful collaboration from two of my favourite American musicians – electronic/drone artist & tape wizard Amulets and “heaven metal” pioneer & producer Midwife. ‘Lifelike’ is lifted from Amulets’ poignant second album, Not Around But Through, which was released in February via Beacon Sound. This track seamlessly blends together Midwife’s transient, hazy vocals and Amulets’ mesmeric digital and analogue synth textures to create a sound that is totally disarming and deeply soothing.
(KC)

Grandmas House – ‘Slaughterhouse‘
Ebow, minor chords, harmonies – what’s not to love? This song, about pain, loss and obsessive devotion, grabbed me from the first listen with its creepiness and dark, blunt lyrics like “I’ll be the funeral home, I’ll be the family morgue”. The striking video, featuring the band in suits covered in black paint around a dinner table, only heightens its impact. It’s an absolute earworm.
(EP)

THWACK! – ‘Three Angels’
Another band who celebrated the release of their debut album, Buried But Blooming, with us at a sold-out show at New River Studios back in February, THWACK! are one of my favourite discoveries of 2025, and offer a necessary and empowering energy with each of their unique punk-folk anthems. Emanating a radiant celebration of trans joy, the sparkling charisma and fierce immersive power of their live shows (plus the giant Margaret Thatcher head) consistently mark them as a stand out part of the London DIY scene.
(ML)

Hadda Be – ‘New To The Office’
A gloriously scuzzy new single from south London band Hadda Be, ‘New To The Office’ offers an all-too relatable reflection on the anxious hallucinations of a Sunday night fever dream. It was recorded by Andy Ramsay of Stereolab and offers a gritty taste of what to expect from their upcoming second album next year. We can’t wait for them to headline our first gig of 2026 on 16th January at The Waiting Room – tickets on Dice now, with support from Shallow Honey and Mannequin Flowers. 

Witch Fever – ‘The Garden’
For fans of grunge-soaked, doomy, gothic music, Witch Fever deliver. This track from their latest album takes a more melodic, delicate approach while keeping its dark, doomy edge. Captivating melodies, a wall-of-sound chorus and strong, clear vocals dominate, leading into an atmospheric breakdown that creates striking contrast before the final chorus pulls you back under.
(EP)

Klein – ‘rich dad poor dad’
I was glad to unearth this experimental gem from UK rapper Klein back in September. ‘rich dad poor dad’ is taken from her intriguing rap-inspired “ambient folklore mixtape” titled sleep with a cane, which she released via Roc Nation Distribution. I love her hypnotic layering of sounds and her mesmeric vocals. This track is also accompanied by a self-directed music video, featuring Klein in different locations in South London, including the iconic Windrush Square in Brixton.
(KC)

Tusks – ‘adore’ (I. JORDAN remix)
I loved the evocative, melancholic original version of ‘Adore’ by London-based artist Tusks (featured on her 2024 album, Gold), but this re-imagining by London-based DJ I.JORDAN is something else! Fuelled by infectious dance-inspired beats, it retains the magnetic pull of Tusks’ original release, but it’s impossible not to move your feet to it. This track features on Tusks’ EP, Gold – The Remixes, which was released in October via One Little Independent Records.
(KC)

Heartworms – ‘Smugglers Adventure’
Built around a killer guitar riff, this nearly six-and-a-half-minute epic takes its time, unfolding through a slow, confident build that pulls the listener in. Atmospheric and finely produced, subtle noises weave through the mix, adding a sultry edge. The vocals rise and fall with swelling dynamics, and the track culminates in a standout breakdown that makes the journey feel well-earned.
(EP)

Huge thanks to all the artists and bands creating the wonderful tunes that have got us through this year! Listen to our Tracks Of 2025 playlist now, and please be sure to check them out and support their work (download/buy/listen in places other than evil Spotify)!

And keep an eye out for our Albums & EPs Of The Year, 2025 Highlights & Ones To Watch for 2026…